After scanning the letter 'A' in, I placed the original drawing in an illustrator file and typed an 'A' in Garamond bold next to it in a similar size, to make the crossover of manipulation clearer and easier. I drew a box that was a similar size to the gap in the 'A', which I laid over the letter and aligned it with the original.
We were introduced to the pathfinder in the earlier workshops, which now has come in handy so that I can cut out the two areas of the 'A'. I clicked 'minus front' which cut out the area of the letter, leaving a gap in the object like below.
I then added the other empty segment to the letter, so it was then a replica of the original manipulation I drew by hand.
I then experimented with different weights of the letter in terms of the empty space, making a few different variations.
The one I prefer is the letter with the third widest space. It doesn't break up the letter so that it is not legible, yet it still has enough impact. I think the most extreme variation I created isn't very legible as a letterform, whereas the A with very thin spacing manipulation still looks too whole; I want to portray different segments.
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